#I don't post my art here a lot but I really wanted to do something for cosette week and I don't have it in me to write

[smileybasics]

Defending @lil-liaa

I usually don’t post in this blog cause i have other ones but i don’t think this is being fair, me and Lia have been moots for a year and I have seen all her work over the years, I don't know a more creative person than her and I have been with her while she makes her moodboards by call and it is simply impressive the hours she invests in doing it, today I She wrote so devastated and we made a call talking, she has worked on this for so long, I remember how excited she was when she reached 1k, what I mean is that her community and her blog are very important to her, these people are accusing her because three Posts are similar to those of other blogs and that seems stupid to me since you have not even seen her other posts to know if she really makes an effort or not, Lia has made collages, dividers, banners, and a lot of other things, to she is really passionate about digital art and the only time she left her blog was because of the loss of a loved one and the truth is I don't care how many people are going to believe me after this post I just want them to leave her alone, here I am attaching some evidence...

This doesn’t even have so much in common just a three pics, in case you don’t know how moodboards are made, 2 or more colors are taken as a base and the images that best match the tones are searched on Pinterest, not only what she "copied" are just two photos but she also made a divider and a collage

Here’s just pinterest pics (proofs that are from pinterest in keep reading) and again i saw a lot of rude comments towards her that so unfair and hurt feelings cause considering how long Lia has been on her blog it's like invalidating all her hard work!!

In this post she even clarify that the divider isn’t made by her but the collage it is, also it’s just 2 pics that are similar!

This pictures are from pinterest, everyone can use it!

People bullying her

This doesn't just happen on the internet, but in real life, one of Lia's moots simply republished the post where they accused her of copying, she asked him/her why he/her did it so quickly, If they were supposed to be moots, if someone betrays you so quickly without questioning anything, they were never your friend and instead of responding privately she/him made a post just to make her/him moots laugh and the comments are gross, my god it's disgusting, this is directly bullying, if you are a thinking person and if you have ever had some kind of link you should try to talk something privately instead of calling the crazy girl and tagging all your moots so they can laugh, the worst thing is that you can tell that this girl only wants interaction because when she and Lia were chatting she threatened Lia with blocking her but then when Lia blocked her she made another post like "she blocked me" it's like, besides being a treacherous rat you can't have the decency to talk to her about it, Lia has been so nice to everyone but after all, this is where you can see who the ones who truly supported her are, and not the fake friends.

I'm not going to censor his/her username, he deserves it, tumblr is as much as real life, the importance of moots is like friends in real life, because if you want you can just harass someone and all your friends will laugh without question anything.

Also, Lia has a tutorial of a lot of things that she made! If she knows how to do it, why would she steal or copy from other blogs?

She has tutorials of gifs, texts, banners, etc, if she really stole and copy, why she knows how to do it by herself?, and if she knows how to do it by herself she doesn’t even need to stole!

LIKE SHE DIDN’T CARE?! Sorry but this is so wrong, i can tell that, SHE CARES, all these people who are making posts mocking her and calling her crazy because according to them she "copied" three measly posts, when if I were in her place and all my years of work were at stake I would also act like a crazy person because it's worth it, here it is demonstrated clearly her hypocrisy, if Lia wants to defend all her hard work or defend herself from bullying by blocking you she is crazy but if she makes a post explaining everything it seems like she doesn't care, this frustrates me so much

Here more evidence of Lia’s drafts

Just a few of her drafts

And last but not least I want to give credit to Lia's great work these years, so you can see that there is a true artist behind all this nonsense controversy, here are some of her moodboards, my personal favorites that I can't imagine how much time it would have taken

Extra: “Lia we know it’s you” Don’t acuse me of being Lia, i’m just a real friend

Evidence: Contact of Lia and me

Hi guys, it's come to my attention that someone in the moodboard community known as lil-liaa has been copying / taking heavy "inspo" from other creators like @y-unjins and @iluvrei view more for more info + evidence + my opinions on the whole situation

before i start, i'm not trying to run lil-liaa off the platform nor am i trying to stur up drama, this is just to bring light to the situation as not many people know and many people (including myself) defended her when this first happened, i also want liia to realize that what she's doing isn't right and that she shouldn't just brush off "accusations" like these when there is evidence.

proofs

you can see the similarities as lil-liaa used 3 of the exact same pics as iluvrei's including one edited by the original creator without adding credits to the post.

2nd

here you can instantly tell that the moodboard was copied (lil-liaas on the right being an exact replica of y-unjins), only changing 2 pics excluding the idol change and

3rd / last

lastly, you can see how one lia used the exact same divider (+ didnt give creds), two she uses the same images not only in the moodboard but also in her gif (same pics from y-unjins moodboard including the png)

now, lil-liaa was sent multiple anonymous ask from last year and one recently accusing her of stealing moodboards, although a lot of people defended her last year including me due to the ask having no sorts of proof of moodboards being stolen and no one else speaking on it but now the recent ask she has received included proof and her response to it was very (in my opinion) rude and just sounded like she didn't care.

in my opinion, i don't believe this was just a draft she had premade and i don't believe she somehow got the same exact photos from y-unjins moodboard recommended, i believe since this isnt the first accusation and now there's proof of this i believe she has been copying moodboards since last year when she was accused. i don't believe lil-liaa cares about this, the fact she's stealing from other creators and when she gets called out for it she pushes it off with the same excuses

tags

@miujo @rkkuri @lvioung @ciestial @aeraras @sugarish @gyareii @i-kyujin @daddldee @i-mmaculatus @haerinism @chaeryeos @bloomqi @h-yeoni @p-oisn @bitchey @yeritos @yonkiibums @y-vna @y-urios @fairytopea @shuaver @yeoniis

[zzalina]

One day more or Sale el sol? Los Mis 2010

Okay so yesterday I made a post about Los Miserables 2010 and discovered there's more people who love it??? Someone asked me about the spanish translation of les mis and it was the straw that broke the camel's back for me to finally make a post. You have NO IDEA how long I've wanted to talk about this. Anyway, today I'll be talking about the 2010 spanish translation BUT I already have in my drafts a post comparing the spanish 1992, spanish 2010 and the original english versions. Without furhter ado, here are my thoughts about Sale el sol:

First things first: the title. "Sale el sol" means "The sun rises". I didn't use to like the translation because they could have gone with "Un día más" (as they did in 1992). It means exactly "one day more" and fits the music almost perfectly (you just have to pronounce it a little bit weird but nothing that isn't a common thing to do in songs). But then I saw this tweet:

"The phrase the sun rises instead of one day more to speak about resilience in a country in which the sun was used by fascists makes one feel mental peace, feel justice, feel art and revolution, it feels like recovering the light and coming out of the shadows"

A little bit of context: Spain was in a fascist dictatorship until 1975. There is a famous song from that time called "Cara al sol" ("Facing the sun"). It was the anthem of the Falange, a political party, but it's still used today by fascist groups. In this context, claiming the sun for a message like the one this song sends is really poetic justice and I just love it.

They also use the idea of the sun rising in "La canción del pueblo/Do you hear the people sing?" (I'll make a post about that one too) so it really links the two songs together in a very beautiful way. I could speak about the title for hours, but let's go to the lyrics:

On the left you have the original english lyrics, then the 2010 spanish ones and then the translation to english so you can see the differences. Pretty similar tbh

Marius being so dramatic in every langauge

Éponine's verses are always so sad but there is something about her feeling like she doesn't even exist for Marius that breaks my heart even more 💔

There's a lot I could say about Enjolras' part related to the 1992 translation but that will be a different post. Now take a moment to appreciate how Daniel Diges sings this lines pls look it up I love him

As you can see, in the translation we sadly lose the repetition of "one day more" 😔 Also Javert saying that the revolution will be born dead conveys to me the certainty that he had that it was not going to work. The army won't have to do much because the revolution will die by itself (and he was right, the people didn't join 😔)

Honestly I don't fully understand the Thenardier's part in english so I can't properly compare it, but they're so caothic in both languages, this part is so funny.

My favourite part of the song 😭 In english "Do you hear the people sing?" is the title of another song but since that one is called "La canción del pueblo" ("The people's song") they couldn't keep the verse exactly the same. But it's the first verse of The people's song

Just Javert's part bcs it's different, the others are kept the same than previously if I'm not wrong. Once again, there's no repetition in spanish 😔

I find it funny that since the original one talks about dawn at the end they translated it to "un día mas", doing the opposite of what they did with the title. It made me wonder for years why didn't they use it for the whole song since it fits the music. But now I know and you know too.

If you made it this far thank you for reading the post. If you liked it, there'll be more and if you didn't like it I'm sorry but there'll be more because I have a lot to say ✨

[moyazaika]

will you appear again before Christmas?🥲

YES HI!!!! WOWEE sorry for being away longer than i intended! estranged family member showed up on my front door after 18 yeARS of no contact?!?!? went to bali and lost my pasSPORT?!?!?! failed my driver's TEST!?!?!?!

#life

[arttsuka]

Just wanted to tell you that whenever I get on Tumblr, I genuinely enjoy your posts and what you talk about. You're very honest and real, and it doesn't feel like you're posting to get likes or attention, it's just you. Sharing. And I really (not the word I'm trying to think of, but in a way it is) appreciate? Enjoy? you. : }

Aww, that's nice.

Take this random out of context screenshot from a movie I was watching the other day (2 weeks ago actually)

[chiropteracupola]

the amount of time I spend on tumblr dot com has given me quite the set of standards when it comes to artworks on the theme of 'Trans Angel', and actual museums are failing to meet those standards quite spectacularly.

[strawberrysweater]

augh the ot3 and saimatsu...... i just love themb so so so so so much there are so few ships i feel this strongly about... nine times out of ten if i "ship" something it's in a sorta hypothetical way where i hardly ever imagine them doing romantic things together and more just. i like them when they stand next to each other and their dynamic is good/silly/tragic/etc. but saimatsu and saiibomatsu make me so unwell (positive) like. if my aro romance repulsed ass is imagining a ship getting married i have it BAD for them ok

[normalcannibalism]

i feel weird and self conscious about my art again. sigh

the entire post ended up in thw tags ohb my god

[neverendingford]

hardwood comb project

I forgor to buy a lighter colored wood for the spine/core so I can't keep working on it tonight cause all I've got is the walnut.

[delta-piscium]

Trying? Trying??? By learning. By succeeding!

(about this and my text under the cut)

this is very nice actually thank you so much <3 <3 and like, i probably do need to give myself more credit in general but also i am still very much learning and stumbling and figuring digital art out (and for the most part it is so fun)

I’m gonna ramble about this a bit so bear with me and also i apologize lol, but that art was done after a month of getting increasingly more frustrated with everything turning out so badly and eventually realizing that I was trying to 1. copy a certain look/style that i’ve internalized is what fanart and digital art should look like and is very far away from my style/comfort zone 2. i was trying to do everything digital allows without being comfortable with it or understanding it

so (and this took me a month to realize ? ??) i did what i already knew from doing acrylic and oil painting in the past and could somewhat easily transfer to digital without having to know more than the basics, like i didn’t use a lot of the things digital provides or allows for. i used layers for my own peace of mind but without actually needing them and did some color adjusting (honestly, the color adjusting digital lets you do is such a blessing to me) but the only fancy way i really utilized the medium was making it a gif (which is so fun and a lot easier than i would have thought, like honestly watch me make any future art into gifs too) but there are so many things you can do with the medium with settings/effects, different brushes, tools to use in the process etc that i just do not understand what they are or how to implement them so i am very slowly learning digital art as a whole new medium rather than just being able to use it to adapt what i already know

[musical-chick-13]

Girl help, I talked myself out of writing a fic because I was worried about being Harassed™

[emeryleewho]

Saw a fun little conversation on Threads but I don't have a Threads account, so I couldn't reply directly, but I sure can talk about it here!

I've been wanting to get into this for awhile, so here we go! First and foremost, I wanna say that "Emmaskies" here is really hitting the nail on the head despite having "no insider info". I don't want this post to be read as me shitting on trad pub editors or authors because that is fundamentally not what's happening.

Second, I want to say that this reply from Aaron Aceves is also spot on:

There are a lot of reviewers who think "I didn't enjoy this" means "no one edited this because if someone edited it, they would have made it something I like". As I talk about nonstop on this account, that is not a legitimate critique. However, as Aaron also mentions, rushed books are a thing that also happens.

As an author with 2 trad pub novels and 2 trad pub anthologies (all with HarperCollins, the 2nd largest trad publisher in the country), let me tell you that if you think books seem less edited lately, you are not making that up! It's true! Obviously, there are still a sizeable number of books that are being edited well, but something I was talking about before is that you can't really know that from picking it up. Unlike where you can generally tell an indie book will be poorly edited if the cover art is unprofessional or there are typoes all over the cover copy, trad is broken up into different departments, so even if editorial was too overworked to get a decent edit letter churned out, that doesn't mean marketing will be weak.

One person said that some publishers put more money into marketing than editorial and that's why this is happening, but I fundamentally disagree because many of these books that are getting rushed out are not getting a whole lot by way of marketing either! And I will say that I think most authors are afraid to admit if their book was rushed out or poorly edited because they don't want to sabotage their books, but guess what? I'm fucking shameless. Café Con Lychee was a rush job! That book was poorly edited! And it shows! Where Meet Cute Diary got 3 drafts from me and my beta readers, another 2 drafts with me and my agent, and then another 2 drafts with me and my editor, Café Con Lychee got a *single* concrete edit round with my editor after I turned in what was essentially a first draft. I had *three weeks* to rewrite the book before we went to copy edits. And the thing is, this wasn't my fault. I knew the book needed more work, but I wasn't allowed more time with it. My editor was so overworked, she was emailing me my edit letter at 1am. The publisher didn't care if the book was good, and then they were upset that its sales weren't as high at MCD's, but bffr. A book that doesn't live up to its potential is not going to sell at the same rate as one that does!

And this may sound like a fluke, but it's not. I'm not naming names because this is a deeply personal thing to share, but I have heard from *many* authors who were not happy with their second books. Not because they didn't love the story but because they felt so rushed either with their initial drafts or their edits that they didn't feel like it lived up to their potential. I also know of authors who demanded extra time because they knew their books weren't there yet only to face big backlash from their publisher or agent.

I literally cannot stress to you enough that publisher's *do not give a fuck* about how good their products are. If they can trick you into buying a poorly edited book with an AI cover that they undercut the author for, that is *better* than wasting time and money paying authors and editors to put together a quality product. And that's before we get into the blatant abuse that happens at these publishers and why there have been mass exoduses from Big 5 publishers lately.

There's also a problem where publishers do not value their experienced staff. They're laying off so many skilled, dedicated, long-term committed editors like their work never meant anything. And as someone who did freelance sensitivity reading for the Big 5, I can tell you that the way they treat freelancers is *also* abysmal. I was almost always given half the time I asked for and paid at less than *half* of my general going rate. Authors publishing out of their own pockets could afford my rate, but apparently multi-billion dollar corporations couldn't. Copy edits and proofreads are often handled by freelancers, meaning these are people who aren't familiar with the author's voice and often give feedback that doesn't account for that, plus they're not people who are gonna be as invested in the book, even before the bad payment and ridiculous timelines.

So, anyway, 1. go easy on authors and editors when you can. Most of us have 0 say in being in this position and authors who are in breech of their contract by refusing to turn in a book on time can face major legal and financial ramifications. 2. Know that this isn't in your head. If you disagree with the choices a book makes, that's probably just a disagreement, but if you feel like it had so much potential but just *didn't reach it*, that's likely because the author didn't have time to revise it or the editor didn't have time to give the sort of thorough edits it needed. 3. READ INDIE!!! Find the indie authors putting in the work the Big 5's won't do and support them! Stop counting on exploitative mega-corporations to do work they have no intention of doing.

Finally, to all my readers who read Café Con Lychee and loved it, thank you. I love y'all, and I appreciate y'all, and I really wish I'd been given the chance to give y'all the book you deserved. I hope I can make it up to you in 2025.

[yuukirita]

Here we have the BOARD ALLMIGHTY! Which regroups all of the delicious AUs you may encounter on this blog C:

Some of them have fics in the works by me. Some don't. The ones above do. Those bellow don't

Some of these aren't original- none of them are actually. But at least you have a guide to look to when I post something and you wonder 'what is this about?'

It's mostly cute stuff- and kind of headcanons. Theres a few people that have started their own versions of these AUs inspired by my art/headcanons... And that kind of things is encouraged! Create away! (just pin me if it is inspired by me- I wanna see all of it)

There are other variations of Bee you might see on this blog- But they aren't really AUs- at least not like the ones on this post. It could be art for a fic i'm writing or fanart of someone Else's AU like the examples bellow.

Fic art for "A Bee See Dee" and "A Bee's Last Sound" on AO3

Bee's design varies according to the story he's in- If it's not from an au then it'll be in the tags! I try to tag the fic name if I want to draw a lot of art for it.

Oh and- example of art from someone else's Au. The Bodyguard!B-127 Au from @whalemleck that I LOVE. (someday I'll write something with it...)

Of course I don't draw JUST B-127. You'll find a lot more other Cybertronians here. And my art style changes depending on the days... But I hope this post will Help some of you keep up with the AUs :D I'll update this post when needed.

[dogs-in-a-trenchcoat]

I don't normally like to piggyback off of other posts but this topic is something really dear to me. I saw a lot of like 'my art by year' posts back in my deviantart days and the one thing that always struck me is how much slower I felt I was developing than others.

Tldr up front: Time really does make massive difference but sometimes it's hard to validate that looking at others you see on the internet, everyone has a different pace, we all have different techniques that work for us and we all have different barriers. In a case where you may feel like you're hitting a wall or progressing slower than others at your age and experience level, a willingness to experiment, continuing to learn more about anatomy or how things are assembled, and overall just continuing to observe the world around you and consume art will all *also* help you where time alone may not.

Of course now I know I have aphantasia, and autism related motor skill issues, but at the time I lived and breathed drawing, I made quick progress and then hit a wall. And I hit that wall for something around 6 years. It felt like my peers started better than me and then just kept getting better while I fell behind.

My question was not so much how I got from this (approx 2002, not my first drawing but the first I have on hand)

To this (approx 2004)

To this (approx 2006)

To this (approx 2008)

My question was always more how do I get from this (approx 2012 on year 4 or 5 of drawing basically the same)

To this (approx 2016)

And eventually, where I am today (this one being from last year or early this year)

And obviously time played a factor. And there certainly was a lot of it. 20 years between the first picture and the last, in fact. And time has all but erased my motor skill issues (in regard to drawing lmao), you can see my lines and shape language become clearer and more confident. I learn from trial and error things that help with the process and get comfortable with various mediums. But what about those 5 or 6 years of stagnation? What happens when you hit a wall?

This is where my aphantasia comes in. I didn't really have access to language talking about this when I was in high school and college. I just didn't understand 3d shapes the same way my peers did. How on earth do you even imagine that people can visualize stuff when you have no real frame of reference for what that would mean or that that is even a possibility? (it's a little more complicated than that for me, but the point remains without me going on that tangent)

Either way, I just assumed I was less skilled and was doing something wrong and left it at that and I still wouldn't have the language to have discussions about this, check with friends to get a deeper understanding of what visualizing meant, and so forth, for a pretty long time after my art started evolving again.

So what changed in 2014? Well just a year prior a little show called Steven universe came out. And one little thing in it totally turned my entire process on its head.

I don't remember where the exact point in time I decided to change my under-drawing process was. I know I had been wanting to draw fanart of these characters with the kind of body diversity and strong shapes I had always wanted to draw. I was so excited by the material, so inspired by the artistry of the backgrounds and style of the show, that I fell in love with drawing again. And that ended up being exactly what I needed. The way I do my under-drawing and sketches now makes it much easier for me to understand 3d shapes without having to be able to visualize them.

These changes, and the willingness to do so, to abandon my whole process and basically relearn drawing from scratch (but sort of a new game plus deal, with the experience I already had under my belt) helped me understand the 3d shapes of the body in a way nothing else had. And I had tried a lot.

I still struggle with feeling badly about my art, feeling like I'm hitting another wall, or like it will never be what other people enjoy. But the bottom line is continuing to find joy in the process, love drawing itself, enjoy experimenting. Don't let a lofty end goal of being "good" in some definition that will always continue to outgrow you dampen your joy with drawing. If you invest the time into your art, if you have fun with it. It will come together eventually.

hey I saw that speedpaint video for Amy's 30th bday art you did and now could you please post some really old art of yours and how long you've been drawing for because I just started drawing and am getting a strange feeling I don't fully understand but feel will be alleviated by getting some perspective on how long it takes to get gud at drawing.

So I’ve been drawing my whole life, ever since I was 2 years old. And I’ve been drawing Sonic for as long as I can remember as well.

Unfortunately I can’t find any of my drawings that pre-date 2005. I am not sure if they’ve just been misplaced, or if they’re with my mom, or if they’re just gone forever. I went through a lot as a kid, including losing our home, so I don’t have a lot from when I was little.

But hopefully some of these drawings will give you some courage:

I was (and still am) obsessed with Phantom of the Opera haha

I made a bunch of weird comics. I really have no idea what is going on in half of them lol. Here are some panels from a 2005 werewolf Sonic comic:

This one is from my diary in late 2005

Here’s a mega drawing I did in 2006 so you can see how I drew Sonic characters as well as people and monsters:

I’ve posted older drawings in the past too but again I can’t find those drawings physically now. Here are some more from 2004 thru 2006:

The more you draw the more your art will evolve. Don’t give up. And please don’t destroy your old art! You should always keep your old stuff so you can see how you’ve improved!

[i-arch-my-backula]

Horror characters seeing their s/o covered in blood

Happy Halloween everyone. I did a poll awhile ago on what I should post for Halloween and this won. So I'm here to deliver what y'all voted on. I included a lot of characters in this just for fun. Disclaimer I haven't written for some of these characters in awhile or that much at all, so sorry if some of these are ooc.

Includes: Amanda Young, Michael Myers, Otis Driftwood, The Lost Boys, Candyman, Doomhead, Patrick Bateman, Severen Van Sickle, Pyramid Head, and The Sinclair brothers

Warnings: Mentions of real and fake blood, slightly suggestive content, gn reader, talk of drinking blood in The Lost Boys and Severen's section, violence, murder

Amanda Young

You weren't supposed to find out about what Amanda did. She wanted to keep you separate from the gore of her apprentice work. But accidents happen and somehow you get to where a trap had happened.

You were in the where-house when you slipped on a puddle of blood and got your entire front half covered in it. You screamed out and Amanda quickly came rushing in.

You standing there covered in blood made something tick inside of Amanda. Something she knows she shouldn't feel seeing you covered in blood.

But she pushes this aside and quickly assures you it's fake blood that happened to spill all over the ground. She can't stop herself from giving you a quick kiss before helping you leave.

She'll get you all cleaned up back at home but she won't be able to stop thinking about seeing you covered in blood.

Michael Myers

Michael was out while you were getting ready for a Halloween party. A part of your costume involved you getting drenched in fake blood. After pouring the fake blood all over yourself in your bathtub you let it dry and step out.

You're downstairs, gathering up your things for the party when you notice the feeling that you're being watched. You turn around and spot Michael watching you.

Michael knows what real blood looks like and considering you're pretty calm he knows this is for your costume. But something inside of him is yelling at him. Not in the usual 'kill someone' way, but in a 'get them and try not to hurt them' way.

You're going to be late to that Halloween party. Michael is going to stand there and make you spin around for him so he can watch you move while you're covered in blood. You know he's getting some kind of kick out of this, so who are you to stop his fun.

After this Michael will try to hint at you to get covered in blood more often. He'll even offer to get the blood this time, but it wouldn't be fake if he got it. He'll keep thinking about you covered in blood and won't be forgetting how it made him feel anytime soon.

Otis Driftwood

You walked in on him at a bad time. While you've grown to accept what your boyfriend does, you don't like partaking in his torture of other people. But when you walked into the wrong room at the wrong time you got sprayed all over with blood.

It coats your face, hair and chest. You thankfully didn't get any in your eyes or mouth. You do let out a scream of surprise but you're not too grossed out by the blood, living with the Firefly family for as long as you have will do that.

Otis takes a good long few moments to just stare at you. You're hot enough as it is, but seeing you all covered in blood like this? Otis is going to have to go take a long cold shower.

"Well isn't this my lucky day." He'll say before walking over to you, completely ignoring the victim now. He'll take all of you in and won't let you wash it off so quickly.

"I just wanna take a couple pictures of ya darlin'." He'll quickly get his camera out and have you pose for him while you're still covered in blood. This will come in handy when he's having art block or he just needs to have some 'personal time'.

The Lost boys

It's your first time feeding and it ended up getting really messy for you, considering you've never done it before. So you got just as much blood all over yourself as you did in your mouth.

Dwayne is the first to notice and he's smirking a little to himself as he watches your blood covered body move. He's committing this sight to memory and he'll probably find a way to get you covered in blood again.

David is the next to notice. He'll smile wider than Dwayne and make some comments about how messy eating can get at times. But he'll also talk about how hot you look covered in blood.

Marko doesn't even make a comment, he just straight up lunges and kisses you right then and there, fangs still out and everything. Seeing you all vamped out and covered in blood really got to him, making him loose all self composer that he has.

Paul also joins in on kissing you, but he'll opt for your neck since your mouth is taken. I can see him licking some blood off of you, but not too much because he loves the sight of you drenched in blood. But the boys will agree to try and get you that messy again the next time you feed.

Candyman

You didn't want to go with him. You summoned him and when he showed you how devoted he is to you, you didn't want to go. So he had no other option than to make you go by force.

You're entering your apartment after going to a Halloween party. Your costume was something you put together quickly and involved you pouring fake blood all over your front half. As you walk further into your apartment you get a strange feeling.

You try to ignore it as you walk to your bathroom to wash off the fake blood. Before you can do that you hear something moving in your medicine cabinet. You open it and after a few moments a hook jumps through it. You obviously scream and run out of your bathroom.

You're in your kitchen, picking up your phone when you see him again. He's looking at you with that same adoration in his eye from the first time you met him. He's looking you up and down. You're frozen again as he watches you.

"You're even more desirable covered in blood," He says in his sultry voice. You shed a couple tears as you try to move, but you're unable to. "I'll have to remember this the next time I see you my love. I'll never be able to forget this."

Doomhead

He knew you were going to a Halloween party, but what he didn't know was that you were going to be covered in blood when you came home. He knows real blood from fake blood and when he sees you he can't help but chuckle.

31 is coming up and he's always tried to keep you separate from it. Seeing you covered in blood is a bit of a double edged sword for him. On one hand he loves seeing you covered in blood, but he also can't stop thinking about 31, and what would happen if you got caught in it.

"Ok so I got a little too close to one of the decorations and I accidentally got covered in fake blood." You explain, taking off your shoes, "I should probably shower all of this off."

"Well I was hoping to get a better look at you like this." He says with a Cheshire grin. You roll your eyes but smile and walk over to him. He spins you around a bit, taking a good look at all of the blood on you.

He knows he'll have to tell you about 31 eventually, and that he'll always keep you away from it. But for right now he can enjoy watching his s/o look stunning while covered in blood.

Severen Van Sickle

It's been awhile since your last feed and when you finally got someone you could barely hold back from drinking as quickly as possible. Because you were so worried about eating as much as you could as quickly as possible you got yourself covered in blood.

After you pushed the body away Severen took notice of your blood soaked clothes. He couldn't stop himself from smiling and taking a good long look at you. He knows you'll be too full to do anything after feeding that much so he'll have to commit this sight to memory, just for some fun activities later.

You wipe your mouth and smear more blood over your face and Severen can barely contain himself at this point. He'll have to quickly ask you if you're up to help him, or if he should do it alone.

Either way he doesn't want you cleaning yourself up anytime soon. Even after his issue is taken care of he just wants to see you covered in blood. He loves how it looks in general but also aesthetically. If he has a camera on hand he's taking a picture of you.

He will try to recreate this later. Next time you're feeding he'll try to get blood all over you. I can see him filling up his mouth with blood and just spitting it on you because let's be honest, he's very dirty and probably has as many diseases as a stray cat.

Pyramid Head

You're walking around Silent Hill, trying to find some more food to stock up on when you come across one of Pyramid Head's recent kills. You don't notice and you slip on the puddle of blood.

You're used to the blood and gore of living with Pyramid Head in Silent Hill so slipping on blood and getting it all over your clothes is more of an inconvenience than scary. You groan and stand up, looking at blood slightly dripping off your clothes.

You turn around and find him standing near you. "I just slipped on some blood. It's not mine and I'm not hurt." You say. You can never really tell what he's feeling or his emotions but you can sense he's feeling a certain way about you being covered in blood.

You two just stand there while Pyramid Head is thinking about smearing more blood all over you. Seeing you covered in blood is doing something to him. So he walks over, get's blood on his hands and rubs it over your face and clothes.

He'll follow you around and just keep watching you while you're covered in blood. He'll be thinking about this for awhile, and he'll try to recreate it whenever there's free time or he just needs to see you covered in blood.

Bo Sinclair

You were busy going after a victim and it got a bit messy. You got yourself covered in blood. By the time you get the body back to the House of Wax the blood that's on your hair and face has dripped down to soak your clothes even more.

You hand it off to Vincent and when Bo sees you he pauses for a moment before he chuckles. "I like yer new look darlin'." He says teasingly. But he's using that teasing to mask how damn hot you are covered in blood.

You're able to pick up on this and you know a great way to get him back for making you chase down someone and kill them.

"Oh I know. I love this look too." You say teasingly back to him, moving your hands up and rubbing your hand over your face and neck, getting a good amount of blood on it. You walk over to Bo and smear the blood on his shirt before you step back.

"Too bad I'm about to wash it off." You say before you dodge Bo trying to grab you, "If you catch me before we get to the house I'll let you wash it off." You say before running out of the house, Bo follows behind quickly.

Lester Sinclair

You're helping Lester out by picking up a deer from the road. You're in the middle of lifting it into the truck when something happens and you get covered in deer blood.

Lester quickly rushes over to you and lifts the deer into the back of the truck. He's looking you over and making sure that you're ok. You'll have to assure him at least ten times that you're perfectly ok and that the deer just got blood all over you.

Now knowing that you're ok he does kind of realize that, you look good covered in blood. Lester loves when you get a bit dirty in general, but blood has him feeling a bit more excited than normal.

He'll zone out a bit for awhile until you bring him back and he acts like everything is good and he's totally not obsessing over the look of you covered in blood.

He'll keep this to himself until it starts to boil over and he admits to you that he hasn't stopped thinking about you being covered in blood. If you suggest the idea of getting covered in blood again he'll be all over that idea.

Vincent Sinclair

When you offered to model for Vincent's study you didn't expect to get covered in fake blood. But Vincent wanted you covered in blood and you didn't really mind so that's what the two of you do.

You stay still the entire time but you notice Vincent staring more than he is drawing. But once he notices you noticing him he gets back to drawing you.

He takes his damn well time to draw you and at one point he stands up and walks over to you. He starts to pose you in a different way and it's totally not an excuse to touch you and see you covered in blood up close.

He'll put you in so many different positions and will keep pouring blood on you. He's honestly memorized by you standing there covered in blood. At one point he'll bust out the camera and ask if he can film.

He sees you being covered in blood in a more romantic, artistic way that makes his heart beat faster. He'll have to get you covered in blood more often so he can draw, paint, photograph, etc you.

[impactrueno]

i wanted to talk a bit about why drawing this panel kicked my ass (warning: this is very disjointed)

i mean yeah the implications of what she's saying and stuff, obviously

the thing is lydia doesn't cry. you never see her cry in the show. she's very subdued when compared to beetlejuice who is always very loud about whatever he's feeling and he'll scream and cry and wail etc but lydia is a lot calmer. she's the sensible and emotionally mature (although we're comparing her to bj so the bar isn't that high to begin with lol) of the two. i think when characters like her, who are grounded and put together, just....break? emotionally? or something just gets to them? that's. oof man.

she's not breaking here, but this smile isn't like her other smiles. she's straining because she doesn't want to cry in front of bj; she knows that would break him. she's expressing gratitude, but the reason why she's thankful is what's tough for her to talk about, especially in front of him. that's not really something she would want bj to know about, but how else can she thank him? so there's that, but there's also the fact that she doesn't know bj already knows that, but he kept quiet about it because that's not something he would want her to know about, and now she does. which is why his face is twisting a bit in the following panel.

and this is actually what i wanted to talk about. drawing bj's expressions when he's having all sorts of emotions isn't that hard. he's always very expressive and loud about his emotions. drawing him having mixed emotions, or expressions he's never shown in the series...that IS a bit harder. but he still makes for a great vehicle to express any sort of emotion, he's just very easy to fit into.

what really got me was drawing this expression for her. this is something most artists do, but when i draw facial expressions that need to have, like, Real Emotion put into them, i tend to make the same faces myself, unconsciously lol. i'm sure watching me draw is a riot (i stick out my tongue a lot like a fuckin idiot) but when it's stuff like this, it can kinda get to you too. sometimes you need to reach very deep into a character's subconscious to pull out that specific emotion and the journey isn't always pretty. it can be emotionally taxing on you as well. empathy and all that shit, but more specifically you're being the conveyor of those emotions right now, through your art, so you kinda have to feel it a bit too in order to express it.

this strained smile she's making. with the little shrug to downplay her own emotions. oh boy.

sorry if none of this makes much sense. i've been keeping a lot to myself to avoid spoiling people and also because this comic is consuming me so much that i haven't really been talking to anybody these days lol. i don't have anyone i show my wips to or discuss ideas with, so i have to sit on it until it's time to post......and then you get weird posts like this one

anyway. thank you for reading!!

[cripplecharacters]

Hi! I’m working on an original character project that I want to include a lot of casual representation in (“casual” meaning that the characters don’t need a justification for being disabled/fat/POC/etc, they just are because people can and do exist that way in reality!)

I was wondering if you had any suggestions for finding resources for drawing facial differences(and maybe other visible disabilities), especially in a cartoony style. I’ve looked through the Facial Equality Week tag but would like to see more examples, and since my art is so… goofy, for lack of a better word, I would love any help I can get in integrating differences without being offensive or upsetting.

Sorry if this is a bother, and thank you for all that you do!

Hey!

I'm not aware of any guides for drawing facial differences specifically (or at least, good ones. There's 1 billion tutorials telling you that scars are just a Singular Line, always, but that's not... correct), but perhaps someone in the notes could help out?

For my own advice, you could check out this old post I made. Because you mentioned your art being cartoony, I would specifically urge you to not overexaggerate facial differences the way they often are. A prime example would be how a lot of cartoons portray strabismus;

It's just a funny gag to them rather than, IDK, how some of us look like. Not to mention that one of these is also a mockery of intellectually/developmentally disabled people with "Derp" in the name, but that's beside the point here.

It's the whole "the character is crazy/stupid/wild/whatever and that's why they have it" that's the problem with how it's often shown. You can also see it in how characters who don't even normally have it will be shown with it for a scene where they're saying something nonsensical, etc.

Another example that's nowhere near as rampant is the split-face thing with various facial differences being used. Mostly vitiligo but sometimes also facial palsy. I'm talking about this weirdly perfectly halved face that looks extremely different on each side, often used to imply that a character is two-faced but mostly just signals that the author doesn't know how vitiligo looks like.

[note: vitiligo also shows up on lighter skin. I wanted to make sure it's visible here for tutorial clarity purposes.]

This one is just weird because it straight up doesn't look like that. I have no idea where it came from, but it should go back there. Facial palsy doesn't make someone look like the antique comedy/tragedy theater mask.

Unless I'm forgetting some other annoying cartoon trope, these would be the big ones that you should stay away from.

Outside of that, it's really on a case by case basis on how a specific FD should be drawn because they're so different. A birthmark can just be a differently colored patch of skin, but a craniofacial difference would require some more changes to be included. Alopecia is well, lack of hair, and can be done very easily but ectrodactyly can be more complicated to show properly because of the limitations of a cartoony artstyle when it comes to hands. And while I do think it would be great to see more of those facial differences that tend to not be included in art at all, there's nothing wrong with deciding to go for the things you can represent more faithfully, especially if you're just starting.

I will say that if you're making an honest attempt at being respectful and trying to get it right, most of us will still be excited to see your work. Even if it's not perfect or has some inaccuracies. I will take a "'yeah more or less' correct with a happy, human character" over a "Very Technically correct but tagged as #tw burns and with blood splattered on them" any day.

Lastly, I wanted to share some art featuring characters with facial differences (and other visible disabilities) that are done in a cartoony, or at least somewhat simplistic artstyles (I'm using both terms very widely here) - maybe it will give you some ideas.

Man with Treacher Collins syndrome (also one of the first pieces online where I saw a character with an FD portrayed in such a lovely way. A fav of mine.) Girl with Pfeiffer syndrome Too many characters to count Woman with burns Woman with a limb difference Multiple characters again Animation featuring people with Down syndrome [youtube] Multiple characters, including a girl with neurofibromatosis, a burn survivor, a girl with a cleft lip and another with TCS [twitter]

If you have a more specific art question ("how do I draw a person with XYZ facial difference?") you can send me an ask on @saszor. I prefer to stick to the writing theme on this blog but would still like to help if you need it.

Hope this helps,

mod Sasza

Edit: apologies for the lack of alt text on one of the images, it has been fixed.